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  Two differences between this Austrian version and the generally available American version are immediately obvious: they differ both in their length and in the language of the intertitles. The American version is only 1,883 metres long - at 18 frames per second a difference of some 7 minutes to the Austrian version with 2,045 metres. Whereas we originally presumed only a negligible difference, resulting from the varying length of the intertitles, a direct comparison has nevertheless shown that the Austrian version differs from the American version both in the montage and in the duration of individual scenes. Yet how could it happen that the later regional distribution of a canonical US silent film was longer than the "original version"?  The prevalent American version of Blind Husbands does not correspond to the version shown at the premiere of 1919. This little-known fact was already published by Richard Koszarski in 1983. The film was re-released by Universal Pictures in 1924, in a version that was 1,365 feet (416 metres) shorter. At 18 frames per second, this amounts to a time difference of 20 minutes! "Titles were altered, snippets of action removed and at least one major scene taken out entirely, where von Steuben and Margaret visit a small local chapel." (Koszarski)  From the present state of research we can assume that all the known American copies of the film derive from this shortened re-release version, a copy of which Universal donated to the Museum of Modern Art in 1941. According to Koszarski the original negative of the film was destroyed sometime between 1956 and 1961 and has therefore been irretrievably lost. This information casts an interesting light on the Austrian version, which can be dated to the period between the summer of 1921 and the winter of 1922. Furthermore, the copy is some 200 metres longer than the US version of 1924. If one follows the details given by Richard Koszarski and Arthur Lennig, this means that, as far as both its date and its length are concerned, the Austrian version lies almost exactly in the middle between the (lost) version shown at the premiere and the re-released one.A large part of the additional length of the film can be traced to cuts that were made to the 1924 version in almost every shot. Koszarski describes how the beginning and the end of scenes were trimmed, in order to "speed up" the film. However, more exciting was the discovery that the Austrian version contains shots that are missing in the American one - shots/countershots, intertitles - and furthermore shows differences in its montage (i.e. the placing of the individual shots within a sequence). All this indicates that Die Rache der Berge constitutes the oldest and most completely preserved material of the film. 展开全部

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常见问题

    1.请问哪个影院平台可以免费在线收看或高速迅雷下载剧情《盲目的丈夫们》?

    爱奇艺网友:《盲目的丈夫们》免vip在线观看地址:http://www.97sky.com/97/mangmudezhangfumen.html

    2.《盲目的丈夫们》是什么时候上映/什么时候开播的?

    星辰影院网友:1919年,详细日期可以去百度百科查一查。

    3.《盲目的丈夫们》都有哪些演员?

    爱奇艺网友:萨姆·德·格拉斯,Francelia Billington,埃里克·冯·施特罗海姆,Fay Holderness,Richard Cumming

    4.剧情《盲目的丈夫们》有多少集?

    电影吧网友:现在是全集完结

    5.手机版免费在线点播《盲目的丈夫们》有哪些网站?

    手机电影网网友:星辰影院

    6.《盲目的丈夫们》每天什么时候播出?

    风车动漫网友网友:《盲目的丈夫们》于2024/01/29 02:30:58正式开播,天空影院每天19点45分抢先播放VIP剧集

    7.《盲目的丈夫们》评价怎么样?

    Mtime时光网网友评价:《盲目的丈夫们》评价很好,演员阵容强大,并且演员的演技一直在线,全程无尿点。你也可以登录百度问答获得更多评价。

    豆瓣网友:目前该片在豆瓣的评分中等较好,分数为9.0分,具体评分细节可以查看豆瓣评分

    丢豆网网友评论:埃里克·冯·施特罗海姆导演的作品,有欢笑、有泪水、有喜悦、有悲伤...,虚拟世界中的感情是多彩的,并不同于我们现实中不爽就一直玩的感觉,虚拟感情的交错,当看完之后会觉得更加舒畅。

    豆瓣电影网友:《盲目的丈夫们》不同于其他作品,没有紧迫感、虚浮的情节及杂乱的画面,却在不断教导我们,不像老师家长苦口婆心语重心长的教诲(为遵重在这里我省略掉啰嗦这词)。我们看电影电视剧亦或综艺动漫逗号,往往是融入进去,在不知不觉中去了解这些似乎不容易被我们所发现、所理解的道理。再说近一点,看视频时设身处地会发现这是现实中更近教导的教导!

    8.《盲目的丈夫们》剧情介绍?

      【天空影院】-电影排行榜大全www.97sky.com第一时间收录《 盲目的丈夫们》并提供免费在线观看。盲目的丈夫们上映于1919年(剧情),是一部美国制片作品,由萨姆·德·格拉斯,Francelia Billington,埃里克·冯·施特罗海姆,Fay Holderness,Richard Cumming等领衔主演。影片(剧)类型为剧情片,对白语言为英语。喜欢天空影院收集的电视剧电影在线免费看的网友们,欢迎分享给身边的朋友,顺祝您观影愉快!
      以下为盲目的丈夫们剧情简介:影片讲述

      Two differences between this Austrian version and the generally available American version are immediately obvious: they differ both in their length and in the language of the intertitles. The American version is only 1,883 metres long - at 18 frames per second a difference of some 7 minutes to the Austrian version with 2,045 metres. Whereas we originally presumed only a negligible difference, resulting from the varying length of the intertitles, a direct comparison has nevertheless shown that the Austrian version differs from the American version both in the montage and in the duration of individual scenes. Yet how could it happen that the later regional distribution of a canonical US silent film was longer than the "original version"?
      The prevalent American version of Blind Husbands does not correspond to the version shown at the premiere of 1919. This little-known fact was already published by Richard Koszarski in 1983. The film was re-released by Universal Pictures in 1924, in a version that was 1,365 feet (416 metres) shorter. At 18 frames per second, this amounts to a time difference of 20 minutes! "Titles were altered, snippets of action removed and at least one major scene taken out entirely, where von Steuben and Margaret visit a small local chapel." (Koszarski)
      From the present state of research we can assume that all the known American copies of the film derive from this shortened re-release version, a copy of which Universal donated to the Museum of Modern Art in 1941. According to Koszarski the original negative of the film was destroyed sometime between 1956 and 1961 and has therefore been irretrievably lost. This information casts an interesting light on the Austrian version, which can be dated to the period between the summer of 1921 and the winter of 1922. Furthermore, the copy is some 200 metres longer than the US version of 1924. If one follows the details given by Richard Koszarski and Arthur Lennig, this means that, as far as both its date and its length are concerned, the Austrian version lies almost exactly in the middle between the (lost) version shown at the premiere and the re-released one.A large part of the additional length of the film can be traced to cuts that were made to the 1924 version in almost every shot. Koszarski describes how the beginning and the end of scenes were trimmed, in order to "speed up" the film. However, more exciting was the discovery that the Austrian version contains shots that are missing in the American one - shots/countershots, intertitles - and furthermore shows differences in its montage (i.e. the placing of the individual shots within a sequence). All this indicates that Die Rache der Berge constitutes the oldest and most completely preserved material of the film.


      有关盲目的丈夫们的后续高清完整版本资源会陆续放出,敬请关注。

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